For me better than "Toni Erdmann". Check out the official top 100 narrative feature films by women directors list, ~~A top 250 for a limited time, clone the list by 01/27~~, Ranked by average user rating. The film centres on Gitti and Chris, whose holidays take a different turn when they meet another, apparently perfect couple. It is a character study with 2 main characters, depicting a young married couple, their love and their arguments. Watching “Everyone Else” is akin to spending a vacation with people you know you won’t like from the first day. Two-hour ramble through the self-absorbed emotions of a … "If you’re thinking that we’re through, I won’t hold it against you, you know I won’t. Though Gitti begs him not to leave her alone at night, he goes anyway, returning in the morning. As of 2001 she co-founded, together with Janine Jackowski, a fellow graduate from HFF, the "Komplizen" film company. 2009 Everyone Else This German import, from writer-director Maren Ade, made waves in the foreign-film world in 2010, but it struck me as a minor work. Their union appears…. Before you know it, you're knee-deep in a union that requires daily maintenance to function. My favorite movie of 2010 didn’t involve Facebook, schizoid ballerinas, defunct toys, lesbian parents, or dreams-within-dreams-within-dreams-within-dreams. ade's direction captures that perfectly, creating a fascinating watch. A navel-gazing mood piece with just enough Eurosex to keep you awake, Everyone Else follows a young couple on a Mediterranean vacation whose relationship comes to a tipping point. And when he does try to do that it's in extremely petty ways like Gitti's not "allowed" to watch Italian TV, carry her own backpack or follow his exact route on a hike. Alle Anderen (Everyone Else). A bit of chance, some physical attraction, and a few sweet words is all it takes. Club film editor Scott Tobias … Even more so when they are of the romantic variety. In this edgy comedy drama from director Maren Ade, Chris (Lars Eidinger) and Gitti (Birgit Minichmayr) are a couple whose relationship has more than its share of ups and downs; she works as a publicist for a rock group whose career is going nowhere in particular, while he's an architect who hasn't been able to persuade anyone to build one of his designs just yet. fantastic film about how dating someone who always does bits is tiresome. It’s an LGBTQ+ world and these are my other LGBTQ+ lists on Letterboxd: ➡️Minor Interest Films: In the Closet: A…. Where Toni is a film where the profundity comes lofting up from the comedic moments, this is a film where those elements are jammed together, side-by-side. While shopping for groceries Chris spots Hans, a successful old classmate, and unsuccessfully tries to hide from him. Lots of rough edges here; you can see hints of the material that’s polished to diamond-perfection in Toni Erdmann, but here she tries to go way too deep into the psychology of the relationship, and there are a couple of jarring scenes that feel transposed from a comic mindset and don’t play for drama very well. Upset, she asks Sana to make an excuse so that she and Hans will leave. there were some special scenes but nothing too captivating. Much like Maren Ade’s Toni Erdmann, about a … Later, Gitti and Chris admit to each other that they often worry they're not the right person for each other. lícula amb el títol Toni Erdmann sobre un home que comença a fer bromes a la seua filla adulta quan s'adona que ha esdevingut massa seriosa. I've come to the conclusion that finding a partner is the easy part. Chris and Gitti, the two main characters, have already passed the honeymoon phase. 35mm. Synopsis: This film tells the story of Gitti and Chris, an odd couple who are battling their way through a holiday of secluded togetherness. When Gitti stands up for Chris in the face of Hans's subtle insults, Chris becomes upset. It's kind of weird that this one hasn't received more recognition. 124 min. After confronting her, Gitti asserts that she is leaving him, and no longer loves him anymore because he is a weakling. love sucks, and coming to terms with the fact that life will never be as complete as you want it to be is one of the most difficult parts of being human. Afterwards he informs her that he will be going for a drink with Hans alone, as Gitti embarrassed him the previous evening. Hans invites the couple to a barbecue at his home with his wife Sana, a successful fashion designer, which Gitti tries to decline as she has already received an invitation from a bohemian couple she has recently met. The film was awarded with the Silver Bear at the 59th Berlin Film Festival. At the end of the night, Hans playfully throws Sana into the villa pool, leading Chris to throw Gitti in as well even as she begs him not to. Everyone Else . The film was awarded with the Silver Bear at the 59th Berlin Film Festival. Probably the greatest movie ever made about couplehood; a perfect symphony of nuances, gestures, and postures; the way the movie travels between different (even sometimes opposite) moods in a little bit of time is something incredible; a pure ingenious piece of work (and a generous one too). While Chris meets with his potential client, Gitti goes exploring on her own, trying out a new makeover and choosing to keep the dress she previously regarded as too "bourgeoisie" in an effort to please Chris. I don't think they're right for each other and should probably break up. Chris is upset and insulted by her outburst. On the surface, Chris and Gitti appear blissfully in love while enjoying the sun and sand of Sardinia. I kept thinking to myself, "what is so special about the boyfriend?" Ade’s film is deeply immersed in its characters, exploring the nuances of relationships and situations with incredible, rich insight. Enjoy!!! The unspoken dissatisfaction boiling under the surface of the main couple in Everyone Else is vastly more understandable to me than most forms of lack. But those moments pass by quickly. by Maren Ade. It was a tiny German relationship drama that almost nobody saw, mostly because it was barely released in the U.S. The list was…. While Sana and Hans appear to be the perfect, thriving couple, they quickly prove to be obnoxious, bland, and vapid. The following day Chris informs Gitti that he is considering taking an architecture job on the island. Alle Anderen (aka Everyone Else) was an official selection at the 2009 Berlin International Film Festival. It's unclear just how long Gitti and Chris have been together; they still live separately back in Berlin, though they’re close enough for an extended holiday alone at Chris's parents' home in Sardinia. an excruciatingly uncomfortable anti-romance film that slowly tears into you. Maren Ade was born in Karlsruhe on 12 December 1976 to a couple of teachers.She studied cinema at Munich's Hochschule für Fernsehen und Film. Germany. When he tries to speak to Gitti about his unhappy feelings about his life and career she interrupts him to say that he muses too much over everything and should consider settling down with her. Vibe: Unlike The Forest for the Trees, Everyone Else is visually beautiful. Kind of wanted to see them on that boat ride though. Replicated film poster designs. Maybe you’re just tired of straining your throat or maybe there’s something you don’t want me to hear. yikes!!!!!!!!!!!!!! german excellence to make a bleak dramedy about the difficulty and nigh-impossibility of human connection where everyone stews and hates each other. Chris and Gitti, the two main characters, have already passed the honeymoon phase. It's a film that is more interested in the nitty gritty of functioning relationships. Gitti and Chris are a young German couple on vacation at Chris's family villa in Sardinia. After meeting up with Chris by chance, he suggests they invite Hans and Sana to their home. The emotional, intimate realism of Maren Ade’s Everyone Else Before you see Toni Erdmann, seek out the director’s brilliantly observed second feature from 2009. While on a Mediterranean vacation, a seemingly happy boyfriend and girlfriend find their connection to one another tested as they bond with another couple. 1 hr 58 mins. Both the main characters have a strong background in theatre and had worked together there before appearing in the film. Maren Ade (German: [ˈmaːʁən ˈʔaːdə]; born 12 December 1976) is a German film director, screenwriter and producer.Ade lives in Berlin, teaching screenwriting at the Film Academy Baden-Württemberg in Ludwigsburg.Together with Janine Jackowski and Jonas Dornbach, she also runs the film production company Komplizen Film. Film Maren Ade. At times uncomfortable, at times profound - usually both at the same time. Single most cutting line: "You're so embarrassing.". At first worried, and then upset by her games, Chris resolves to make things work and let his guard down. The winner of the Grand Prix and Best Actress prizes at Berlin, Everyone Else confirms German director Maren Ade as a great new talent. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Siete años después de su premiadísima y extraordinaria EVERYONE ELSE, Maren Ade vuelve a la dirección (y debuta en Cannes) con una película que, al menos en apariencia, poco y nada tiene que ver con aquel drama de pareja.TONI ERDMANN sorprende, primero, por su duración (son más de 160 minutos), pero eso se olvida rápidamente cuando uno empieza a ver el filme y se … Maren Ade, Producer: Toni Erdmann. Made by fans in Auckland, New Zealand. Not only is Everyone Else an instant Gitti and Chris are vacationing in Sardinia, where they spend most of the time in an emotional tug of war, to sometimes comical, sometimes painful effect. It takes hard work to maintain a good relationship. 'Everyone Else' (2009) by Maren Ade. Name a more iconic duo than Maren Ade and an empty sheet of paper, I'll wait. While on a Mediterranean vacation, a seemingly happy boyfriend and girlfriend find their connection to one another tested as they bond with another couple. 2009. Birgit Minichmayr Lars Eidinger Hans-Jochen Wagner Nicole Marischka Carina N. Wiese Paula Hartmann Mira Partecke Atef Vogel Laura Zedda Claudio Melis, Dirk G. Engelhardt Janine Jackowski Maren Ade, Всички останали, Entre nosotros, Oloi oi alloi, Mások vagyunk, Alle andre, Wszyscy inni, Todos os Outros, Страсть не знает преград, Du och jag, Vsi drugi, 119 mins being one with another person hurts!!!! It deserves higher recognition. "You won’t get off that easy, no don’t say you love me, when you know you don’t. Or what causes disfunction within them. While packing her things, Gitti falls to the floor and plays dead. "Everyone Else" has modest commercial potential, ... Maren Ade Director of photography: Bernhard Keller Production designer: Silke Fischer, Volko Kamensky, Jochen Dehn Costume designer: Gitti Fuchs Maren Ade's Everyone Else isn't interested in dabbling in meet cutes and passionate love affairs. kinda...heartbreaking? synopsis. 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